Unintentional Forms of Kiss

(in honor of J. M. Cameron), gelatin silver prints and negatives, 2004

Unintentional Forms (Mimoformy) realize an utopian possibilities of two-eyes vision. The experience of space through the common field of vision and through building of two similar objects (images) results in appearance, somehow by the way, of the new object. In the construction of the rules of our own space we may touch the limits of rationality.

From “Unintentional Forms of Kiss”. A black and white mirrored photo forms a diamond-shaped abstract face. Eye-like shapes hover above a lighter central area. Faces of two figures from another image on the page are subtly recognizable.
A black and white film negative shows two figures close together, one seemingly kissing the other's cheek. The film border with text is visible. This image appears to be the source for abstract compositions in the “Unintentional Forms of Kiss”.
A black and white film negative shows two figures close together, one seemingly kissing the other's cheek. The film border with text is visible. This image appears to be the source for abstract compositions in the “Unintentional Forms of Kiss”.
From “Unintentional Forms of Kiss”. A high-contrast mirrored photo reveals insect-like facial features. Two dark shapes top a central triangular form, creating mask-like effect. Elements of two figures from another image on the page are discernible.
A black and white film negative shows two figures close together, one seemingly kissing the other's cheek. The film border with text is visible. This image appears to be the source for abstract compositions in the “Unintentional Forms of Kiss”.
A black and white film negative shows two figures close together, one seemingly kissing the other's cheek. The film border with text is visible. This image appears to be the source for abstract compositions in the “Unintentional Forms of Kiss”.
From “Unintentional Forms of Kiss”. A black and white abstract photo with symmetrical mirroring forms a diamond shape. Dark edges frame a lighter center, resembling an insect mask. Elements of two figures from another image on the page subtly emerge.
A black and white film negative shows two figures close together, one seemingly kissing the other's cheek. The film border with text is visible. This image appears to be the source for abstract compositions in the “Unintentional Forms of Kiss”.
A black and white film negative shows two figures close together, one seemingly kissing the other's cheek. The film border with text is visible. This image appears to be the source for abstract compositions in the “Unintentional Forms of Kiss”.
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Photographs From the Nineties